In Louis Menand's latest New Yorker article, "Drive, He Wrote," which deals with Jack Kerouac and the Beat Generation, Menand refers to Neal Cassady as "the Lou Andreas-Salomé, the Alma Mahler Gropius Werfel, of postwar American culture."
At my redesigned and expanded author website, I've just posted some notes regarding Lou that I made in 2001, at the start of my work on Lost Son.
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